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Steve and Bill: The Summer of Reunions Continue

Yesterday, during the Wall Street Journal's, D Conference [D=all things Digital], Steve and Bill shared the stage in an extremely rare public discussion moderated by Walt Mossberg and an annoying lady.

During the talk, they spoke of the early days, about how the XBOX 360 was developed using Macs, and they traded jabs about the I'm a Mac/I'm a PC commercials.  Of the PC guy, Bill said, "His mother loves him."

Apple made some interesting announcements at the conference.  Among them being in June Apple TV will stream YouTube content.  However, they did admit that the resolution won't look so great on a high end TV.

Additionally, Steve said that they are working to allow 3rd party developers the ability to create widgets for the iPhone.

Here are some clips:





The entire program can be seen here.

Vampire Weekend

I am not going to go on and on about the greatness of Vampire Weekend.  If you want some praise, you can go here or here or here or here.  Just know this: the band is great and they are playing the Troubadour on July 16 as part of an ASCAP showcase.  No advance tickets are available, they will be $5 at the door.

MP3: Vampire Weekend - Oxford Comma
MP3: Vampire Weekend - Walcott

I can't wait to see these guys live.

Movie Theater Wars

I live very close to the Westside Pavillion.  When I first moved here almost 2 years ago, they entire Westside Too went under construction, closing a sub par Barnes and Noble.  I was a bit upset as I wasn't walking distance to a bookstore anymore, but shortly after closing, Landmark announced the entire complex was to reopen on June 1 as a fancy arthouse movie complex.  The Barnes and Noble would also get a mini-makeover and reopen with the movie theaters.

During that time, Century City also had a movie makeover.  They re-did their entire mall and, while I have only seen one or two movies there since the reopening, I was impressed by the nicer chairs and a much better ambiance in the theater.  Regardless of how nice Century City's new theater's are, the best movie house in all of Los Angeles is the ArcLight.  I would rather drive to see a movie at the ArcLight, then see a movie at one of the old theaters in Westwood or that hellish place that most people call the Grove.

But now, it seems that when the new Landmark Theaters open in the Westside Pavillion, every theater in town will be scared out of their mind.  Yesterday's LA Times ran a story comparing the new Landmark theaters to the ArcLight and the new Landmark destroyed the ArcLight.  Cheaper tickets, free parking, La Brea Bakery pretzels, locally made pickle relish are among the reasons why Kevin Crust chose the Landmark over the ArcLight.

That article came only a few days after another article in the LA Times explaining how movie zones work:

The Landmark won't just be challenging other theaters for moviegoers' affections; it also must prove to distributors that it's the best place to show their most coveted films.

Historically, distributors have divided Southern California into a number of moviegoing zones: Westwood is one zone, West Hollywood and Beverly Hills make up another, and so on. A new movie typically plays at one — and only one — theater in each zone. The Landmark will be in the same zone as the AMC Century City, meaning the two complexes often will be vying for the same titles.

The Landmark hopes it will enjoy equal, if not preferential, treatment. Exactly what films will be shown in the multiplex on its opening weekend are undetermined. "I am going to buy as many exclusive films as I can," says Chief Operating Officer Ted Mundorff. "We've had discussions with all the distributors about how they view the marketplace."

So now, the Landmark has two very clear enemies.  I am sure the ArcLight, being the leader of the movie going experience, was not enjoying the way this was playing out.  Your move ArcLight (from their email blast):

We want you to be among the first to know that ArcLight Cinemas is expanding to Sherman Oaks. The Pacific Theatres Galleria 16 is transforming into ArcLight Sherman Oaks, with ArcLight’s signature amenities and guest service, including 16 black-box auditoriums with reserved seating and extra-wide chairs, a café bar, gift shop and exhibits. The renovation process begins in June and the theater will remain open during the first phase of construction so that our customers can continue to see films until August. Our plan is to unveil ArcLight Sherman Oaks during this year’s holiday season.

This is a genius move for two reasons: 1) because the valley has nothing like the ArcLight and 2) because the Pacific Sherman Oaks Galleria isn't that far from the Westside Pavillion (barring traffic) - it's just a short trip on the 405.  This strategic movie by Pacific will probably limit some movie goers making that trip to the Westside.

So, the Movie Theater Wars are upon us.  By Christmas time we will have two ArcLights and a two Westside megaplexes (literally one mile apart) vying for our attention.  Who knows how this will play out. 

Paste Magazine's Best Venues in America

My new issue of Paste arrived today (yes, its the only music magazine I subscribe to and no, I am not a dad) with a feature that is titled, America's 40 Best Music Venues.  The magazine asked for submissions from readers. In the end, there were 500 different venues nominated.  The magazine "weighted history, setting, sound, character, comfort, atmosphere, vibrancy, uniqueness, and their roles in helping launch careers." 

Los Angeles has 3 venues on the list: The Troubadour, Largo, and Hotel Cafe.  Other venues on the list are Stubbs (Austin), Tipitina's (New Orleans), The Fillmore (San Francisco), Bowery Ballroom (NYC), Red Rocks (Morrison, CO), Shubas (Chicago), and Maxwell's (Hoboken, NJ).

I have only been to 8 of the 40 venues, but I imagine living for any period of time in San Francisco, Seattle or Austin would make that number change drastically.   

Sea Level Records to Close

Kevin Bronson at the LA Times Buzz Bands Blog broke some very sad news to the East Side over the weekend.  Sea Level Records, a wonderful, truly independent record store in Echo Park, is set to close its doors on June 30. 

Kevin Bronson writes:

Sea Level Records, the independent outlet that in 5 1/2 years had become a locus for Los Angeles' Eastside music scene, will close June 30, owner Todd Clifford said. "It's not so much competition as the fact I want my life back," said Clifford, 32, who runs the store, at 1716 Sunset Blvd. in Echo Park, with the help of just one part-time employee. "Yes, it's been a struggle. But each year has been better than the last. It just got to be too much for me."

The loss is huge, not only for the greatness of the selection, staff (anyone who hires Jeff Weiss one day a week is on to something) and amazing in-stores, but also as it was one of few alternatives in LA to Amoeba Records.

Tickets, Tickets, and more Tickets

In typical LA fashion, there are lots of tickets out there for some great shows.  Don't delay as most of these will eventually sell out:

May 29: Voxtrot/Au Revoir Simone @ The El Rey
May 29 and 30: Arcade Fire @ The Greek
May 31: The Hold Steady @ The El Rey
June 11: The Pipettes @ The Troubadour
June 26: The National @ The El Rey
July 25: Tokyo Police Club @ The Troubadour


The Ninja Remote: A must for every smart ass (+ Deadliest Catch Ramblings)

Trolling around on one of my favorite blogs, I came across a story from TMZ, that not only featured an amazing new product, but their use of Deadliest Catch references was brilliant.

Speaking of Deadliest Catch, this past King Crab season was great.  I didn't care much for the rookie captain of the Maverick, and I think his inexperience and cockiness really showed when he blamed everyone but himself for his 5,000LB crab shortfall.

My two favorite boats are still the Corneila Marie and The Northwestern.  You don't mess with either Sig or Phil!  But the best is yet to come:  bring on the Ophelia crab!

0517_ninja1_tg_275 Let me try and get back on topic:  The Ninja Remote.  With this clever device, one can control most public TVs.  Yes, it's like a universal remote for LP.  Speaking of which, I should write about my obsession with Matt, Amy, Zack, Jeremy, and Jacob one of these days.

Back to the Ninja Remote...seems like fun.

One last note about Deadliest Catch.  Before flying to Alaska to try and get a job as a deckhand, read this note from the Hansens.

Crowded House Reunion Tour Announced

Rage? Meh. The Police? No, thanks. Crowded House? Hell Yes!  Neil Finn and the boys announced their world tour in support of their first new album in fourteen years, Time on Earth.  No on sale information yet, but they will be playing the Greek on August 28th.  Click here for more info.

April 07 Mix

[In an attempt to keep my few readers abreast of what I am listening to, The Monthly Mix Series is a monthly post featuring music that found its way into my ears over the course of the past month.]

April07_2

So, this one's coming a bit late, but alas it's here. The artwork this month is from LCD Soundsystem's set at Coachella. 

This month's mix has a bit of everything.  Here's a brief rundown:

I saw Killer of Sheep at the Nuart a few weeks back and the movie used "This Bitter Earth" so beautifully, I had no choice but to throw it in.  Daniel Johnston was on my mind a lot as I finally watched "The Devil and Daniel Johnston" and Friday Night Lights used the Bright Eyes cover of "Devil Town" which is great, even for a Conor Oberst song.  I really love the new National, the new Feist, and the Sea Wolf EP.  The new Maria Taylor is good if you like that Aimee Mann / female singer-songwriter thing.  Upon watching Regina Spektor's set at Coachella, I forgot how much I loved "That Time", so had to throw that on there.  The rest is a sampling of things seen and songs that came up on shuffle.  Of course, I had to end with LCD Soundsystem.  I fear I am becoming obsessed.

Tracklist:
1. From the Rivers to the Oceans - Bill Callahan
2. This Bitter Earch - Dinah Washington
3. Cape Cod Kwassa Kwassa - Vampire Weekend
4. Devil Town - Bright Eyes
5. I Feel It All - Feist
6. What we Had - Handsome Furs
7. Cobrastyle (Featuring Mad Cobra) - Teddybears
8. Start a War - The National
9. Replay - Maria Taylor
10. Jenny Don't Be Hasty - Paolo Nutini
11. Southern Manners - The Watson Twins
12. That Time - Regina Spektor
13. Freak Scene - Dinosaur Jr.
14. These Days - St. Vincent
15. Living Life - Daniel Johnston
16. Sea Monuments - Sea Wolf
17. All My Friends - LCD Soundsystem

DOWNLOAD MIX

DOWNLOAD ARTWORK

Previously:
January 07 Mix
February 07 Mix
March 07 Mix

St. Vincent @ Largo 5/10/07

1363902807_lSt. Vincent (or Annie Clark) is my new girlfriend.  She just doens't know it yet.  She's adorable and plays a mean guitar.  She plays with Sufjan AND Tim Delaughter and covers Jackson Browne.  She is cute and makes funny, deadpan remarks during her banter time.  I might be in love.

I first read about her at Gorilla Vs. Bear who has been hyping her for what seems like years.  It's great to hear so much buzz about someone only t0 see them live and realize it is all very true. 

When you talk about true performers who can blow a crowd away, you are talking about Annie Clark.  My jaw was open the entire set watching her sing, stomp, and play her way into my heart.  She destroyed John Vanderslice.  So much so, that we didn't even stay for his entire set.  We all felt that we had seen the main act. 

I kept thinking watching her set that she reminded me of a much better, more talented, more accessible Nellie McKay.  McKay made a splash a few years back for her work on the anti-folk scene in New York.  The media soon labeled her an anti-Norah Jones and she signed to Columbia.  She put out one album to good reviews and her second album was shelved only for her to release it herself.  Regardless, there are aspects of her stage show and her music that  remind me a lot of Nellie.  But, I think St. Vincent has the ability to be way more accessible and enjoyable. 

She is opening up for Arcade Fire next week in Canada and has her debut album coming out on July 10 on Beggars Group (same label as the National).

MP3: St. Vincent - Now Now (from the Album Marry Me)
MP3: St. Vincent - These Days (from the EP)

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